Browse Tag: Spectra Speaks

A Letter To My Plagiarist

As National Poetry Month draws to a close, I thought it only appropriate to post this response to the plagiarist who thought they could get away with stealing my words.

I admit that I wrestled with responding at all; the pain of knowing that a fellow African LGBT activist, who I knew personally, had done this to me was a lot to bear. In the wake of David Kato’s murder, a prominent LGBT Ugandan activist that was murdered in January, the last thing that I needed — that the Queer African movement needed — was internal conflict. Aside from the infuriating suggestions from people (including other writers– wow) that I “let it slide for the greater good”, I just couldn’t shake the feeling, that my words — the only things I have in this world — had been taken from me. I felt violated.

At one point, I had to say it out loud to believe it, “I’ve just been plagiarized, blatantly, by someone who knows me.” Seriously, verbatim. This woman (who was a journalist so couldn’t claim to not know better) had lifted a whole three paragraphs from the blog post I’d written about David Kato and read it as part of a speech in public forum (at a vigil held in NYC in his honor – starts at 2:00 min), no citation, no credit, no mention that her speech even contained excerpts from an ‘unnamed’ source. I found out in the worst way possible, on effin Twitter. I happened to click on a link to video coverage of the event she spoke at in NYC and there she was, speaking my words verbatim, being so inspiring it took me a few takes to realize why her words resonated so much… they were mine. Wow.

Of course I confronted her about it. I sent her a very nice but stern email that said I know what she’d done and I was giving her a window to take responsibility, apologize, and do something about it i.e. email the media outlets that quoted her with my words in my mouth and ask them to make corrections AND post in a public place (her blog for instance) that she’d taken my words without permission and was going to give appropriate credit to make it right.

At first she apologized and agreed to make things right, but then she did a switcharoo, all of a sudden getting annoyed that I was making all these “demands” of her and decided she was going to investigate on her own if she’d actually done anything wrong. Despite her new-found confidence in barreling through the issue without taking responsibility, I gave her several more chances after that. But all she ended up doing, to add insult to injury, was put up this deliberately condescending message about how trials as an activist on the day she had to give that speech, and oh by the way here’s this person Spectra who writes about Africa even though she doesn’t live there, and here is a link to her blog. I’m linking her here to “lift her up with visibility.” I was LIVID. But also incredibly hurt.

The experience, I admit, shook me. I only just realized recently that I hadn’t been writing and sharing as much content online. The fear of violation like that again, even the fear of being accused of not thinking about the “bigger picture” (i.e. going after a ‘fellow’ whatever) held me back; it become a subconscious trigger anytime I was about to post something online. I’m a writer first before anything else. I don’t want my words stolen. And certainly not from people who claimed to love, admire, care about me. But I’m done with the silence. It’s stifling. I’ll have no more of it.

Aren’t I the person that always tells it like it is, regardless of which ‘community’ I’m supposed to be aligned it? Aren’t I miss warrior woman, outspoken, no-bullshit, no-nonsense, no tolerance for injustice? If I don’t stand up to a bloody cyber plagiarist, then I fail all those people I’m constantly encouraging to speak up — writers, artists who believe their work is important enough to protect, to value, activists who feel trapped by petty politics, anyone who’s ever felt betrayed or violated by people that are supposed to be supporting them.

We must speak out against bad behavior, even within our movements. In doing so, we will find strength and healing we didn’t know was there, like I have. It is too important that we hold our communities — and each other — accountable, lest we begin to silence among ourselves.

————

Dear Plagiarist,

I must admit, you swept me off my feet.
Charmed me with flattery,
used words like “passionate”, “prolific”,
game changer, you seduced me,
sanctioned the urgency in my voice
just when I’d’ begun to shrink under the weight of accusations,
“aggressions unwarranted,” they said
even though our people were dying;
this “angry black woman” was on the brink of depression when you showed up,
offering verbal bouquets in my mother tongue.
You spoke friend, and I listened,
awakened my senses so that I could smell the bullshit from these white people
who only loved me when I was tame,
only loved me when I was game for banter,
could only stomach me placed neatly between the black and white lines of their own agenda
— I spit at their podiums.

But you…
I felt like I knew you.
Your accent, thick with struggle through colonial diction,
that awkward ensemble of western clothing gave you away
an immigrant attempting to recreate themselves in a foreign country,
I stood under you when you needed uplifting,
welcomed you into my house, unsuspecting
I fed you. Nurtured you when I myself was starving,
simply because I was thankful for the company,
for the ability to lock eyes in a sea of white guys who misused the truth for their own gains;
“We are Africans, the longest surviving population on the planet,”
I proclaimed, “… and we don’t need saving.”
We need solidarity.

In the aftermath, I wrote:
“David Kato, in the face of violence, we must never abandon hope for fear.”
…in the face of violence, we must never abandon hope for fear,
and you cheered for me in private,
clapped your ashy hands at the gall of this Naija woman
to inspire healing through pain as ego clouded your vigil;
you pounded your fist on the table as I vowed to share the truth,
that these westerners preached too god damn much to listen,
gave our fathers reason to say, “Homophobia is a white man’s problem.”

So I didn’t mind when your sound bites
had bitten off too many of mine
We were sisters, and what was mine was yours,
but when I heard the media applaud your thievery I saw it plainly:
my sister had maimed me,
ripped words like cheap clothes from my naked body,
and waved them in the air for glory.
You betrayed me.
I didn’t see it coming.

But see, the thing about being a warrior woman
is that I’ve been bitten one time too many
by snakes disguised as allies standing right next to me;
You must bleed to beat the poison,
You must bleed to win.

Val Kalende — What, thought I wouldn’t put you on blast?

At your best you were a thief,
impostor playing journalist stealing other people’s stories,
media sob story turned professional token — you have lost your footing
and now, your head bows low enough to be petted by the same jokers I wipe the floor with,
the same cowards who cower under the bass of my voice when they piss me the fuck off.

…and trust me when I say, that I am pissed the fuck off.

If you thought I would go sulk in a corner
a good girl ashamed to report her abuser
for fear of being accused of seeking media attention
damaging your “stellar” reputation out of envy,
then you must not know me.

I am a warrior woman,
a freedom fighter, truth seeker,
liberator of all who’ve been double-crossed by oppression,
I will make an example of you.
Run and hide behind the podiums these white people have given you,
a house kennel for the stray dog that you are
— no rhetoric will shield you, no eulogy will save you —
You will NOT escape my wrath.

Kitchen Table Conversations: LGBT African Diaspora Speak on Culture, Queerness, and Media

In partnership with Women, Action, and the Media (WAM!), I’m hosting a virtual panel that features the perspectives of LGBTQ African Diaspora on African culture, queer identity, and the media.

The focus of the panel will in part be driven by pre-submitted questions from listeners, but will also aim to highlight the panelists’ experiences with various kinds of activism, including the use of new media to promote awareness and social justice issues surrounding Queer Africa.

I couldn’t be more excited (and nervous!) about collaborating with WAM! (to whom I owe much of my passion and enthusiasm for advocating for the increased role and influence of women in the media), and for the opportunity to share stories and reflections with my fellow queer African friends and colleagues.

I’ve called the event “Kitchen Table Conversations” because I’ve found that I’ve experience the most thought-provoking, enlightening, and inspiring conversations, literally, at my kitchen table… or in my living room, on the train, at the back seat of a cab.

Too often, right after a juicy pow wow with friends who are also African, queer, women of color etc., during which each of us weigh in on whatever issue it is — dating, family, politics, white people, westerners, “political correctness” and the like — by making a podium of the stove, delivering truths with the nonchalance of throwing salt into stew, and thickening our accents for dramatic emphasis, I’ve slammed my fist on my wooden kitchen table in frustration, shocking everyone with an American, “Dang! I should’ve recorded this.”

The Kitchen Table Conversations happen so frequently, that now my friends and I actually joke about doing just that — recording ourselves over dinner — before we begin; it’s become somewhat of an adventure to see what political insights we may discover before our eventual end-of-dinner gamble with wine (which we’ve found can either fuel or extinguish the uncensored passion we all carry underneath; the burden of having to feign resilience or resolve is washed away). I live for these moments, when our eagerness to speak and be affirmed causes us to interrupt each other, constantly, so that we share the experience of telling and shaping one story, our feet planted comfortably into soil. I wish I could share this with the world.

I doubt that a facilitated e-panel without food, wine, or in-person comraderie will serve to recreate the Kitchen Table Conversations that I’ve come to look forward to during almost every half-potluck (some cooking must take place before hearts bleed). But I do wonder what would happen if people could actually listen in to us at our most vulnerable, most desperate. I wonder what people would do if we dared say what we say over jollof rice, fried plantains, pepper soup, and egwusi… if we let loose the rawness we’ve been trained to sugar coat as tokenized peoples at podiums in western conferences.

“I have come to believe over and over again that what is most important to me must be spoken, made verbal and shared, even at the risk of havinIn any case, it’s Women’s History Month, which makes this panel featuring Queer African voices — and this on-going series (yes, I intend to keep hosting conversations like this) — even more important. Despite a variety of forums and media honoring women this month, queer African women (past and present) aren’t being celebrated for their work and their bravery. But whose fault is that? Mainstream media’s? Psssh. I gave up on that a long time ago. In fact, I’m grateful for the lack of coverage I see, and thus, the motivation to continue encouraging queer African women and trans people everywhere to continue making waves, making media, and making trouble.

So mark your calendars for Wednesday March 23rd (12PM-1PM EST), and stay tuned for more from the Kitchen Table Conversations series. It’s going to be fun!

#VivaAfrika

—————

Kitchen Table Conversations: LGBT African Diaspora Speak on Culture, Queerness, and New Media

Spectra, the sassy host and moderator of this panel, is an award-winning queer Nigerian writer and women’s activist. She is the founding director of Queer Women of Color and Friends (QWOC+ Boston), a nationally recognized grassroots  organization serving the needs of LGBTQ people of African descent and allies in New England, and the director of QWOC Week, New England’s first pride festival exclusively intended to raise awareness of health and social justice issues impacting queer/trans communities of color. She is the owner of Spectra Events, a socially-conscious event planning and production company that brings together her eclectic interests in Art and Music, Social Entrepreneurship, Technology, and Philanthropy, and routinely blogs about all things women, leadership, politics, and Africa.

Kagendo Murungi is a Kenyan filmmaker, activist and writer with a background in international sexual and gender rights advocacy and organizing for social and economic justice with working class and poor LGBT communities in New York. She was a founding member of Uhuru-Wazobia, an educational, advocacy and social membership organization for LGBT Africans founded in 1995, and co-director of Liberation for All Africans, an ad hoc committee of African gender non-conforming people, organized in response to a spate of anti-lesbian rapes in South Africa in 2007. She helped institute the Africa Program at the International Gay & Lesbian Human Rights Commission (IGLHRC) and served on the international grants panel of the Astraea Lesbian Foundation for Justice.

Akwaeke Z Emezi was born and bred in the south of Nigeria, and is an Igbo and Tamil free love advocate, genderqueer Nutri-C addict, and natural hair aficionado. In the space where parathas and palm oil meet, she dances reverence to dope beats and follows the Christ. As a queer bard, blogger and drag performer, Z infects a message of self-awareness laced thoroughly with love and bravery, believing that only in knowing and accepting oneself utterly can we truly be free. A current Brooklynite, they adore traveling and beautiful people, and are constantly pushing for a life free of fear and full of marvelous.

Bukky Kolawole is the queer Nigerian founder of First Generation group, an organization based in Brooklyn New York that seeks to empower the diaspora to postively influence their communities by raising their voices collectively. She is also a licensed clinical psychologist (you can call her Dr. Bukky) who is interested in utilizing her expertise with behavioral change for the benefit of social change and building community. Her private practice caters to adolescents and adults in NYC, and is particularly passionate about meeting the needs of the LGBTQ community.

Iyayi-Osazeme ‘Lobuhle’ Odigie-Oyegun is a British-Nigerian, South-African-bred food interlocutor, who thinks in the language and poetry of food. She is the head chef and owner of Khandja Kalabash a Harlem based boutique culinary firm, specialising in afro-fusion cooking and the preservation, appreciation and proliferation of African culinary practices & cuisines. She hopes to queer the African Culinary Experience by combining traditional and contemporary methods and ingredients to introduce new dimensions of flavour to African cuisine. She believes that food is connected to every essential part of the human experience, and is a candid way of expressing LOVE. In the battle against homophobia, bigotry and racism, cuisine is her tool of choice!

Several more panelists to be announced soon.

Submit Questions to the Panelists! You are invited to submit questions to the panelists ahead of time by sending an email to the moderator at questions@spectraspeaks.com w/ the subject “Question for the Kitchen Table Conversation w/ LGBT Africans” or simply by commenting below. A handful of questions will be selected for the panel and will be presented anonymously (unless requested otherwise). Questions may be edited for brevity.

Listening Details

Date: Wednesdsay March 23rd
Time: 12PM-1PM

Bookmark this link to listen to the show here.

This Is What a Lesbian Looks Like: My CURVE Magazine Debut

Thoughts on CURVE MAGAZINE INTERVIEW (FEBRUARY 2010)

I was recently interviewed for Curve Magazine’s “This Is What A Lesbian Looks Like” monthly feature. It’s taken so long to feel whole and integrated as a trans-national, multi- cultured and layered individual; Nigerian, African, queer, afrofeminist, nerdy etc. It feels awesome in so many ways, and yet, so surreal. I haven’t picked up a copy yet and I keep thinking that when I do, and I flip through the pages, I won’t be there.

Invisibility, as much as it enrages and motivates me to speak out and up for others, had become comforting it seems. Safe. But I haven’t been invisible at all, I’m realizing. I’ve simply been in denial. Perhaps as a way of dealing with my fear.

But today, I reflect on the pride I have for myself for pushing through fear and remaining visible to others who are like me (in so many different ways), in order to provide them with hope, love, and affirmation. I have mixed feelings about my face being all over the country right now (yikes), and wondering who could be reading this, my parent’s friends, my friends, old classmates, etc? It may sound funny, but it feels like I’m having my first “coming out” experience. Isn’t that crazy?

(Yeah, let’s pretend that I don’t own a blog that’s read both nationally and internationally, or that I haven’t founded an organization with regional reach… perhaps I have been for the past years.)

I shared this tearsheet on my Facebook wall and one of my Nigerian queer friends commented:

Congratulations! I want a copy of that issue. Shoot, I may show it to my own parents some day. “See mom and dad. I am not the only one, there are others!”

I’m gonna read this anytime I feel myself shrinking because this will remind me that every little bit I do counts for something.

Many heartfelt thanks to Rachel Shatto from Curve, for handling this warrior woman with care and for an article I can be proud to send to my own parents. For someone whose work has often been mishandled by journalists and photographers alike, I can’t express how appreciate I am of her writing (and sensitivity in handling this piece). You rock, Rachel. Thank you so much.

Explain what “iQWOC” means and why you chose to identify that way.

iQWOC means Immigrant/International Queer Woman of Color. Funny enough, after a few years of organizing around LGBT/women’s issues, specifically within the women of color community, I began to feel invisible at my own events. In a room full of people of color, I felt alone because I couldn’t identify any other Africans, immigrants, or people who were originally from a different country. I remembered all of a sudden that “woman of color” had been adopted by me as an identity label only after I realized I was queer. But I’d never in my life identified as a person of color until I came to the United States for school when I was 17 and people started to refer to me that way. For the years I spent in school here, I was part of the African students club, all my friends were from countries around the world… we discussed our national identities more so than our racial ones. But beyond the politics of ‘labels’, I realized that my perspective on a lot of issues was different from the larger group’s because I wasn’t American. I added the “i” to the “QWOC” label to remind others to acknowledge a fourth part to my identity.

How does your Nigerian roots inform your politics?
I recently got accepted to the Emerge Program, which trains democratic women to run for office. That’s a long way from the political apathy I’d come to feel after growing up under a corrupt military government. Also, as I’m from a different country, immigration is an issue that’s very personal, and not just from a policy/legal standpoint; I care very much about the experience of whole or fragmented families coming to a new country to create a life, while navigating issues of race, cultural and language barriers, preserving oral histories etc. My Nigerian/international background has definitely affected the way I organize QWOC+ Boston for sure. You’ll always be able to find some international or global component to our programming.

Who is Spectra? How is she different from your regular persona?

Haha. Spectra is a warrior woman, a revolutionary, who doesn’t care what anyone else thinks as long as they think at all. She’s constantly makes friends of enemies and enemies of allies because she has no affiliation with anyone but herself, and will always speak the truth. She believes that her voice is powerful, really powerful, and that we can all harness our collective power if we dare to speak up for ourselves. My regular persona on the other hand is an introverted reader of comic books who would rather live on a ranch with lots of animals. She thinks Spectra needs to relax; the revolution will be there tomorrow.

Do you have a life philosophy?
Too many. But I’m often motivated by Laurel Thatcher Ulrich’s famous quote, “Well-behaved women have rarely ever made history.”

NEW PROJECT: Interview Series Featuring LGBT Human Rights Leaders around the World

For Immediate Release:

Spectra Speaks, founding director of QWOC+ Boston and award-winning LGBT activist, is interested in interviewing LGBT POC leaders in the US and human rights activists around the world as part of the QWOC Talk Project.

If you’re an LGBT activist/leader based in the US, who is part of the (or works closely with) the LGBT people of community, or a human rights activist working to further the fight for LGBT equality and acceptance in any part of the world, you are invited to participate in this interview series.

The project launches in February, and in solidarity with Black History Month, will feature interviews from Black LGBT Leaders across the country (from New England to the West Coast) and the globe (spanning various parts of Africa and Europe).

Note from Spectra:

“Too often, we lose momentum in movements due to lack of mentorship and access to the wealth of knowledge held collectively by our leadership. I’m interested in speaking with individuals who are working in various capacities to improve the livelihood of their communities because I believe that through these people, we can all learn something, even if it is that we — as leaders — are not alone in the struggle for acceptance and eventually, equality.

So whether or not you’re featured in your local newspaper, part of 501c3 organization or proudly unaffiliated, creating change legally or socially, speaking out via Op-Eds or through your craft as an artist, remember that you are an important part of the LGBT movement. You ARE an important asset to all of us, and I’d be honored to hear from you.”

Please submit some preliminary information HERE and you will receive an email if you’re profile aligns with the mission of this project. This could take anywhere from 1-3 weeks depending on interest and interview schedules, which will be conducted via phone, in-person (depending on location), email, or Skype.

Spread the word.


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