Browse Tag: LGBT Africa

London-Based Theater Troupe Debuts “ZHE”, A Play about Gender, Culture, and Sexuality in Africa

Originally written for GenderAcrossBorders.com.

“There are some journeys that make us who we were always meant to be…”

ZHE is a new play created by Chuck Mike, Antonia Kemi Coker and Tonderai Munyevu. This humorous, thought-provoking and haunting drama explores the lives of two British Africans living at the crossroads of culture, nationality, gender and sexuality. Journeying from childhood to adulthood and across continents, the play examines the joys and pains of coming to terms with the complexity of our many identities.

 

ZHE is being produced by Collective Artistes (CA), a London-based ensemble theatre company committed to producing socially relevant professional and community theatre that tells the stories of the African Diaspora.

Inspired by his mentor Nobel Laureate Wole Soyinka, Artistic Director Chuck Mike founded Collective Artistes in Nigeria in 1988 with the aim of producing stunning and vibrant theatre that has a tangible impact in the wider community. They team productions with Theatre for Social Change initiatives — drama-based projects that engage young people and community members in identifying and addressing areas of social concern; stories that depict LGBT Africa is their latest undertaking.

ZHE debuted on Thursday February 23rd in London as part of its preview tour during the UK’s LGBT history month, but plans to coordinate a bigger tour later in the year. The play has already been well-received. Colin Presocd, Chair of the Institute of Race Relations describes the production as “Timely, courageous, imaginative, lovely narrative story-telling… that will ‘explode’ onto stages in the US — stages anywhere.” You can download the press kit here.

I am SO excited about this play as it brings together all my favorite things — Art, activism, and Africa, Yes! I was honored, too, that the troupe reached out to me attend the premier in London but alas — I’m all the way in Boston, currently. But what an opportunity! I encourage everyone who can to see ZHE, and share your thoughts in the comments. The fact that this production is being backed by one of Nigeria’s most respected and outspoken leaders, Wole Soyinka, is indeed very exciting. Perhaps Nigerian activists can take comfort knowing that they have such strong support from noteable Diaspora. I know I do.

Check out the dates of the preview tour below — including one next weekend for which I may fundraise to attend! — and visit www.collectiveartistes.co.uk to find out more about CA’s inspiring work bridging art, activism, and Africa.

PREVIEW TOUR TO LONDON, IPSWICH AND LEEDS:

23rd/24th February 7.30pm (Friday Matinee, 1.30pm)
CanadaWater Culture Space,London
020 8692 4446, www.thealbany.org.uk

25th February, 7.45pm
New Wolsey Theatre,Ipswich
01473 295 900, www.wolseytheatre.co.uk

1st & 2nd March 7.30pm
Tara Arts, Wandsworth,London
020 8333 4457, www.tara-arts.com

6th March 7.30pm
Workshop Theatre,UniversityofLeeds
0113 343 8730, www.stage.leeds.ac.uk

A Letter To My Plagiarist

As National Poetry Month draws to a close, I thought it only appropriate to post this response to the plagiarist who thought they could get away with stealing my words.

I admit that I wrestled with responding at all; the pain of knowing that a fellow African LGBT activist, who I knew personally, had done this to me was a lot to bear. In the wake of David Kato’s murder, a prominent LGBT Ugandan activist that was murdered in January, the last thing that I needed — that the Queer African movement needed — was internal conflict. Aside from the infuriating suggestions from people (including other writers– wow) that I “let it slide for the greater good”, I just couldn’t shake the feeling, that my words — the only things I have in this world — had been taken from me. I felt violated.

At one point, I had to say it out loud to believe it, “I’ve just been plagiarized, blatantly, by someone who knows me.” Seriously, verbatim. This woman (who was a journalist so couldn’t claim to not know better) had lifted a whole three paragraphs from the blog post I’d written about David Kato and read it as part of a speech in public forum (at a vigil held in NYC in his honor – starts at 2:00 min), no citation, no credit, no mention that her speech even contained excerpts from an ‘unnamed’ source. I found out in the worst way possible, on effin Twitter. I happened to click on a link to video coverage of the event she spoke at in NYC and there she was, speaking my words verbatim, being so inspiring it took me a few takes to realize why her words resonated so much… they were mine. Wow.

Of course I confronted her about it. I sent her a very nice but stern email that said I know what she’d done and I was giving her a window to take responsibility, apologize, and do something about it i.e. email the media outlets that quoted her with my words in my mouth and ask them to make corrections AND post in a public place (her blog for instance) that she’d taken my words without permission and was going to give appropriate credit to make it right.

At first she apologized and agreed to make things right, but then she did a switcharoo, all of a sudden getting annoyed that I was making all these “demands” of her and decided she was going to investigate on her own if she’d actually done anything wrong. Despite her new-found confidence in barreling through the issue without taking responsibility, I gave her several more chances after that. But all she ended up doing, to add insult to injury, was put up this deliberately condescending message about how trials as an activist on the day she had to give that speech, and oh by the way here’s this person Spectra who writes about Africa even though she doesn’t live there, and here is a link to her blog. I’m linking her here to “lift her up with visibility.” I was LIVID. But also incredibly hurt.

The experience, I admit, shook me. I only just realized recently that I hadn’t been writing and sharing as much content online. The fear of violation like that again, even the fear of being accused of not thinking about the “bigger picture” (i.e. going after a ‘fellow’ whatever) held me back; it become a subconscious trigger anytime I was about to post something online. I’m a writer first before anything else. I don’t want my words stolen. And certainly not from people who claimed to love, admire, care about me. But I’m done with the silence. It’s stifling. I’ll have no more of it.

Aren’t I the person that always tells it like it is, regardless of which ‘community’ I’m supposed to be aligned it? Aren’t I miss warrior woman, outspoken, no-bullshit, no-nonsense, no tolerance for injustice? If I don’t stand up to a bloody cyber plagiarist, then I fail all those people I’m constantly encouraging to speak up — writers, artists who believe their work is important enough to protect, to value, activists who feel trapped by petty politics, anyone who’s ever felt betrayed or violated by people that are supposed to be supporting them.

We must speak out against bad behavior, even within our movements. In doing so, we will find strength and healing we didn’t know was there, like I have. It is too important that we hold our communities — and each other — accountable, lest we begin to silence among ourselves.

————

Dear Plagiarist,

I must admit, you swept me off my feet.
Charmed me with flattery,
used words like “passionate”, “prolific”,
game changer, you seduced me,
sanctioned the urgency in my voice
just when I’d’ begun to shrink under the weight of accusations,
“aggressions unwarranted,” they said
even though our people were dying;
this “angry black woman” was on the brink of depression when you showed up,
offering verbal bouquets in my mother tongue.
You spoke friend, and I listened,
awakened my senses so that I could smell the bullshit from these white people
who only loved me when I was tame,
only loved me when I was game for banter,
could only stomach me placed neatly between the black and white lines of their own agenda
— I spit at their podiums.

But you…
I felt like I knew you.
Your accent, thick with struggle through colonial diction,
that awkward ensemble of western clothing gave you away
an immigrant attempting to recreate themselves in a foreign country,
I stood under you when you needed uplifting,
welcomed you into my house, unsuspecting
I fed you. Nurtured you when I myself was starving,
simply because I was thankful for the company,
for the ability to lock eyes in a sea of white guys who misused the truth for their own gains;
“We are Africans, the longest surviving population on the planet,”
I proclaimed, “… and we don’t need saving.”
We need solidarity.

In the aftermath, I wrote:
“David Kato, in the face of violence, we must never abandon hope for fear.”
…in the face of violence, we must never abandon hope for fear,
and you cheered for me in private,
clapped your ashy hands at the gall of this Naija woman
to inspire healing through pain as ego clouded your vigil;
you pounded your fist on the table as I vowed to share the truth,
that these westerners preached too god damn much to listen,
gave our fathers reason to say, “Homophobia is a white man’s problem.”

So I didn’t mind when your sound bites
had bitten off too many of mine
We were sisters, and what was mine was yours,
but when I heard the media applaud your thievery I saw it plainly:
my sister had maimed me,
ripped words like cheap clothes from my naked body,
and waved them in the air for glory.
You betrayed me.
I didn’t see it coming.

But see, the thing about being a warrior woman
is that I’ve been bitten one time too many
by snakes disguised as allies standing right next to me;
You must bleed to beat the poison,
You must bleed to win.

Val Kalende — What, thought I wouldn’t put you on blast?

At your best you were a thief,
impostor playing journalist stealing other people’s stories,
media sob story turned professional token — you have lost your footing
and now, your head bows low enough to be petted by the same jokers I wipe the floor with,
the same cowards who cower under the bass of my voice when they piss me the fuck off.

…and trust me when I say, that I am pissed the fuck off.

If you thought I would go sulk in a corner
a good girl ashamed to report her abuser
for fear of being accused of seeking media attention
damaging your “stellar” reputation out of envy,
then you must not know me.

I am a warrior woman,
a freedom fighter, truth seeker,
liberator of all who’ve been double-crossed by oppression,
I will make an example of you.
Run and hide behind the podiums these white people have given you,
a house kennel for the stray dog that you are
— no rhetoric will shield you, no eulogy will save you —
You will NOT escape my wrath.

  • 1
  • 2

Plugin from the creators ofBrindes Personalizados :: More at PlulzWordpress Plugins