Browse Tag: LGBT Africa

A Gay Zulu Wedding and the Danger of a Single LGBT African Story

Male and Married: The Gay Zulu Wedding and the Danger of a Single LGBT African Story

In case you missed it, a few weeks ago, two gay black South African men tied the knot at their 200-guest traditional wedding in KwaDukuza, the first of its kind in the old Zulu capital.

Gay Zulu Wedding LGBT AfricaLove birds Tshepo Modisane and Thoba Sithole, both proudly Zulu and Tswana, have made their union a part of South Africa’s history by deciding to go public with their gay African traditional wedding ceremony, with a few twists:

In place of the customary lobolo (bride price or dowry), via which the husband customarily offer’s the wife’s family money and/or gifts, they’ve decided to opt for gender parity and, instead,  offer gifts to each of their families in thanks for raising them. They also plan to use the hyphenated version of both their last names, Sithole-Modisane, and are planning to start a family soon using a surrogate (though this report says they’ll be adopting.)

In the video report (below), the couple shares, “It’s against this idea that being gay is unAfrican… Being gay is as African as being black. We are a part of our culture. Thoba is Zulu and I’m Tswana. We’re rooted in our culture and very excited about it.”

On paper, South Africa boasts the friendliest constitution, which protects its lesbian, gay, bisexual, transgender, and intersex (LGBTI) citizens from discrimination based on race, gender and sexual orientation. Yet, the country’s struggle to shift cultural attitudes towards acceptance for this marginalized group of people, especially in rural areas and townships, remains.

According to this Human Rights Watch report, “Black lesbians and transgender men in South African townships and rural areas face an overwhelming climate of discrimination and violence despite protections promised them in the country’s constitution.” It’s no wonder, then, that the mere optics of the “first gay traditional African wedding,” warrant its celebration as a historical milestone for gay Africans everywhere.

Denis Nzioka, founder and editor of Identity Kenya, a news organization covering sexual and gender minorities in Kenya, remarked in an interview, “The gay Zulu wedding was epic, if not pioneering. Having seen the video and photos and customs I was amazed at how the two mixed their love and celebrated it in an ‘African’ way.” And in response to what’s become a slogan amongst anti-gay African leaders, “Homophobia is unAfrican,” Nzioka insists that “the fact that two African men can fall in love and wed, despite a homophobic society that frowns on same-sex relationships counters what many Africans [have been] saying’.”

The Danger of a Single LGBT African (Male, Middle-Class, and Marriage-Focused) Story

The Danger of a Single Gay African LGBT StoryChimamanda Adichie, a celebrated Nigerian writer said in her famous TEDTalk, “The single story creates stereotypes, and the problem with stereotypes, is not that they are untrue, but that they are incomplete.”

Hence, as the media continues to hail this single occurrence as a milestone, it becomes critical that supporters of the LGBTI African movement for equality consider this single narrative exists within the context of many others.

For instance, the video report states that the two gay black men are based in the metropolitan city of Johannesburg and are working professionals in the fields of financial services and IT. That’s not to imply they’ve been in any way exempt from experiencing the debilitating impact of societal discrimination–far from it; the effects of homophobia (compounded with racism, as the couple is black) on the livelihood of people presumed to be LGBTI can result in workplace discrimination, prejudice in health care, not to mention depression, anxiety, even suicide.

Still, there’s a huge difference between the experience of being a “regular looking” cisgender male employee, at a “Big Four” financial consulting firm, in a  fairly liberal city that boasts the largest gay pride in the country, versus the harsh reality of a trying to make ends meet in a poor township, while also fearing rape for being a lesbian, or murder for being an effeminate gay man.

In a piece written for a South African LGBT publication last year, the author shared comments from a young, black, gay-identified male, who disagreed with South Africa’s reputation as a progressive state (emphasis in bold added by me):

“When you have money, it’s quite easy to set yourself free from discrimination and danger,” Junior says. “Many of the white gay and lesbian people here can afford to reside in a safe and progressive area, but the majority of us live in townships. In openly embracing your sexuality there, you run the risk of getting abused, raped or murdered.” Junior’s statement emphasizes that gay and lesbian equality in South Africa is strongly mediated by race and class, and that sexual freedom is often available to those who have the racial and literal capital to afford them.

In light of the struggles of LGBTI Africans, the desire to celebrate any kind of progress – especially when it comes in the form of a gleeful Zulu wedding – is understandable; the vibrant ceremony presented a sharp contrast to the media’s grim and, at times, gruesome depiction of violent homophobia on the African continent. However, it is dangerous to assign wide-sweeping gains to all LGBTI Africans based on the perceived victory of a few. 

What of gay Africans who view marriage as the least of their problems – young people, for instance, who have been disowned by their families and, above all, seek a stable alternative to homelessness? What about transgender women who experience rejection (and violence) from both gay and straight communities alike? And lesbians–forced to live in fear of so-called “corrective rape”–will marriage mean social acceptance for them, too?

If we’ve learned anything from criticism of the same sex marriage equality movement in the U.S., it’s that too much emphasis on marriage as a pathway to acceptance could only end up benefiting a small segment of the LGBTI community (e.g. gay men, or members of the middle class–while the groups most at-risk e.g. women, youth, transgender people, etc.–are likely to go unheard, and even unfunded.

A Nigerian lesbian activist (who prefers to remain anonymous) remarked on the unwillingness of many global human rights funders to support ‘less popular’ LGBTI programs:

“If you’re not doing HIV/AIDS work, forget it. Funders are mainly interested in gay men because of that. With women, we are not seen as much as being affected by these issues. And there is no research on Nigerian gay women to suggest otherwise, so we are at a disadvantage. Our organization provides a safe haven for lesbians and bisexual women to be out, be themselves, meet other women. We organize social events, movie nights, you name it. I know it is saving lives. But the funders don’t seem to feel that way because we are not in the news.”

Nigeria’s recent move to further criminalize homosexuality has no doubt sent even more LGBTI Nigerians back into the closest, making the need for safe social spaces even more critical. In this country, a publicly staged wedding is punishable by imprisonment for up to 14 years, and in the north, death. Hence, before the media declares the gay Zulu wedding as progress for the LGBTI African movement, it must ask itself, “What does progress for LGBTI people in other African countries (or even different groups of Africans within South Africa) look like?”

LGBTI African Activists Propose a Multi-Country, Multi-Issue Approach to Advocacy

Florence Xhaxas, founder and director of the gender justice organization, Young Feminist Movement, Namibia, warns against zero-ing in on the struggles – and progress – of a single African country at the expense of others:

“As much as I feel [the wedding video] is great for South Africans, the feeling isn’t shared by all LGBT people across the continent. The truth is that [South Africans] have mastered the art of amplifying their voices and documenting cases.”

To Xhaxas’ point, while stories from South Africa and Uganda continue to shape western media’s narrative about the LGBTI African movement, other countries experiencing their own share of hardships and progress go unnoticed. For instance, the murder of Ugandan LGBT rights activist David Kato sparked global outrage while the brutal torture and slaying of a gay Tanzanian community organizer, Maurice Mjomba barely received attention. Similarly, while South African women are perpetually victimized via “corrective rape” coverage, uprisings by lesbians in other countries, such as Namibia, and Malawi, aren’t likely to make headlines.

Says Xhaxas, “How can we improve documentation [in other countries]? How can we make sure that media hype is created for all the struggles we go through? And hold other states in the lime light of the global community’s responsibility to protect all citizens?”

To be sure, the cultural significance of the gay Zulu wedding video — the power of media, itself–cannot be ignored; LGBTI Africans all over the world were able to see their relationships affirmed in the media – a rarity. Denis Nzioka puts it best when he says, “Greater positive media portrayal of LGBT Africans has been proven to change people’s perception. As one of my close friend lesbian friend once quipped ‘Kenya’s often mild acceptance of homosexuality can be attributed, in some small way, to two persons – Will & Grace.’”

Given the impact a single video has had on recent conversations about homosexuality in Africa, among Africans at that, it goes without saying that proponents of LGBTI equality on the African continent, should more intentionally support LGBTI African media advocacy organizations and initiatives – the writers, journalists, digital media producers, and artists that risk backlash for daring to critique the world as it is, while imagining and inspiring the future as it could be.

Jabu Pereira, founder and executive of director of Iranti, a media advocacy organization based in South Africa emphasizes the importance (and threat) of LGBTI Africans using media to influence change:

“We must end the ongoing ignorance of states who continue to encourage systemic violence, we simply can’t afford this. We must not stop documenting the human rights violations we experience as LGBTI persons in Africa.. even when we are threatened…”

The media frenzy around this milestone should in no way serve as a distraction from supporting less visible, less “newsworthy” forms of activism. It should, in fact, galvanize allies to support more LGBT African organizations across the continent – not just South Africa or Uganda – that work on behalf of constituencies who fight for the most at-risk of their communities, and whose victories and milestones comprise the mundane of daily survival.

 Watch the Video Below:

Award-Winning African Artist Shishani Releases Video for New LGBT Equality Anthem, “Minority”

Shishani Namibia Lesbian Artist

“You’ve got rules telling me what to do
But is there anybody checkin’ up on you?”

Award-winning acoustic soul artist, Shishani, has just released the music video for her latest single titled, “Minority”, a catchy, upbeat, acoustic track that calls for freedom and equality for all people despite perceived differences.

Shishani got her big break when she performed at the 2011 Namibian Annual Music Awards in the capital city of Windhoek, where it’s still illegal to be gay. And though, she says, she’s made no real attempts to hide her sexuality, she hasn’t come out as an “out lesbian artist” till now.

“I wanted people to get to know my music,” she says, “Sexuality doesn’t matter. It’s like pasta — asking if you prefer spaghetti or macaroni. It just doesn’t matter… I’m an artist first, before being a gay artist.”

Born to a Namibian mother and a Belgian father, Shishani spent her early childhood in Windhoek, before her family relocated. Due to her mixed race ancestry, the curly-haired songstress is no stranger to discrimination, but is candid about enjoying a relatively liberal upbringing in the Netherlands, known for its liberal social policies, including legal protections of Lesbian, Gay, Bisexual, Transgender, and Intersex (LGBTI) people.

“Being raised abroad gives you a certain freedom… It took some time before my parents were okay talking about stuff, but eventually we did. I was even able to live with my partner of four years…  But living in Namibia, it became so clear to me how much more people are discriminated against–and for a variety of different reasons, like their ethnicity and sexuality.”

Homosexuality is illegal in a number of countries in Africa, and Namibia is no exception. Even though Namibia has been independent for over 20 years, and its constitution views all people equal under the rights of the law, punitive colonial laws against sodomy (though not enforced) have remained. Thus, LGBTI people risk harassment  and violence due to a strong culture of stigma in part reignited by religious leaders and government officials.

In 2001, past President Najoma’s called for “anyone caught practicing homosexuality to be arrested, jailed, and deported”. And, just over a year ago, Namibia’s first gay pageant winner, Mr. Gay Namibia, was beaten and robbed shortly after securing his title.

But Shishani, who upon her return in 2011, found a safe haven in Windhoek’s art performance communities, is optimistic that the current climate for gays will improve. She recently became an honorary member of the board of Out Right Namibia (ORN), a human rights advocacy organization that aims to address widespread homophobia in the country, and is eager to continue evolving as an artist, while using her platform as a musician to advocate for freedom and equality.

Shishani Singer SongwriterSince her breakout two years ago, Shishani has released indie tracks such as “Raining Words”, an acoustic ballad about a new relationship, “Clean Country”, a soulful, melodious call to action to raise awareness about climate change, and–inspired by Alicia Keys’ chart-topping tribute to New York–“Windhoek”, a song that celebrates the beauty of her hometown.

As a student of cultural anthropology and self-identified activist, it’s no surprise that her music has been described as a fusion of sounds from such socio-political music icons as Tracy Chapman, Bob Marley, and Nneka. “Minority” is the first single through which seeks to address the issue of same-sex love.

Alluding to the potential controversy of her new single, Shishani says, “Two years ago, I was really just trying to get my face out there…. When I returned to Namibia, I started booking my own gigs, performing solo, writing new songs. When I was invited to perform at the Namibian Music Awards, I was afraid to perform “Minority”  because people didn’t know who I was yet. But to make a statement, you have to be strong.”

As an African musician who identifies as being a part of the LGBTI community, the lyrics of “Minority” no doubt challenge the infamous meme “Homosexuality is unAfrican.” But, Shishan insists, her song is about much more than being gay.

“In Namibia, it also makes a difference what ethnicity you are. “Minority” argues for equal rights for all people regardless of their cultural backgrounds, economic status, sexuality, religion,” she says, “There is so much systemic discrimination against people, for so many reasons.”

The release of “Minority” is timely; January is the month in which outspoken Ugandan LGBT activist, David Kato was bludgeoned to death in an anti-gay attack three years ago, sparking an outcry from fellow African human rights activists. January is also the month in which people in the U.S.–perhaps even all over the world–celebrate Dr. Martin Luther King, Jr., a powerful civil rights leader and icon. His call for freedom and equality of all people has been taken up by activists all over the world, including Shishani, whose lyrics echo his principles of love and unity.

“Homophobia all over the world comes from the same place; colonialism, apartheid, racial segregation. All our struggles are connected.”

When asked about being a visible lesbian African artist, especially in light of the hardships experienced by LGBTI people in countries such as Uganda, Nigeria, South Africa, she says:

“My music is becoming more popular in Namibia. I’ve been working hard and trying to make my mark, so I feel stronger, now. I may lose some fans, but it’s okay. So many others have it way worse than me. So many others activists are risking much more. It is an honor to be viewed as a role model. So, if I can contribute to the movement through my music, I’m happy to, and I will.”

Check out the video of Shishani’s new single, “Minority” below. To learn more about Shishani, visit her website at http://www.shishani.nl.

 

Open Letter to Africans for Africa Supporters: Love Is My Revolution

Dear Love Warriors,

I’ve been back in the states for almost two weeks, struggling with what words to send you in closing of my Africans for Africa new media training project. I’ve started about a dozen posts and letters, and have scrapped them each time. I’ve been crouched under the weight of so many emotions from this trip: gratitude, humility, pride, reflection, exhaustion, relief.

So where do I begin?

No words can amply describe what my #africansforafrica project has meant to me; no report could show you just how much *your* support of my –one single person’s — work has impacted so many others. But here’s an attempt to give you at least a glimpse:

A group of South African lesbians, who were virtually invisible online are *thriving* after my visioning, organizational development, and content strategy session with them. As a direct result of one of our discussions, they even changed their name to better reflect their philosophy and target audience. I’m in awe of their hard work and dedication to create a space for African Lesbians. Check out HOLAA (Hub of Lesbian Loving Action Africa) at http://holaafrica.org/

Sister Namibia (one of three Namibian feminist organizations I worked with), whose challenge was nurturing a wider audience for their magazine is now in the process of going digital and sharing some of their print articles online in order to engage an international audience. Check out Sister Namibia on Facebook: http://www.facebook.com/sisternamibia

A gender justice activist and educator in Jamaica, who’s been following my #africansforafrica updates, reached out to me to help plan a media and gender conference for women of African descent, a project that will no doubt reach hundreds more women’s rights individuals and organizations, but also create a visible pan-africanist network of social media experts.

In addition to a number of small towns and villages, I visited 7 major African cities — Cape Town, Port Elizabeth, Durban, Johannesburg, Windhoek, Gaborone, and Accra; I trained over 60 different organizations working on a wide range of issues, including women’s rights, LGBT advocacy, youth empowerment, media and the arts for civic engagement; and, I trained ~400 activists, artists, and non-profit professionals in new media communications, including branding, blogging, and online fundraising.

On top of all this, I’ve spoken at schools, colleges, youth programs, and community events about the empowerment of marginalized communities via new media, afrofeminism — my spiritual approach to social justice,  the ethics of philanthropy, and, of course, the power of storytelling, re-writing history in our own voices.

Despite all of this, I’ve been waking up every day since my return, wondering how the hell this happened, and then recalling, almost instantly, that I didn’t do this; we did. In fact, you did. You helped me prove to the world that anything is possible with Love on your side, with Community on your side. And, I am humbled to have discovered, this year, that I’d earned both.

From the bottom of my heart, thank you all so much, for giving me one of the best years of my life, for trusting me with our collective mission to empower communities through media, for your continued support and solidarity of my work, and of course, for your Love.

Happy New Year.

Love,
Spectra

ps — some of you should have already received postcards, T-shirts arriving in January! :)

Africans for Africa -- Spectra Speaks

My BET.com Interview about LGBT Africa and the Media: “Being Gay in Africa Is Neither Good Nor Bad”

Great news! I was recently interviewed by BET.com about my work as an LGBT activist. The piece highlighted my new media volunteer project, which has been training African women and LGBTI organizations to use new media to tell their own stories. #win

My favorite part of the interview has got to be the title, African Gay Rights Activist Rewrites the Story of a Struggle. 

Because I’ve chosen to lend my talents as a wordsmith to social justice and philanthropy, and am often very immersed in discussing (and being recognized for) the issues I’m writing about, even I sometimes forget what is that I’m actually doing i.e. writing to change the world, and encouraging others to do the same.

Above anything else, I’m a writer and a storyteller. So, even though the title of the interview felt a tad grandiose (and made me do a double take: “Whoa! Is that me??”), I really am honored that BET.com decided to recognize my efforts and profile me in such a generous way.

I must admit, however, that the opening line from the article gave me pause: “Believe it or not, it’s good to be gay in Africa.” 

I should probably point out that the aim of my work isn’t just to see more “positive” news about LGBTI African in mainstream media; I believe that “Being gay in Africa is bad” and “Being gay in Africa is good” are both overly simplistic, reductive narratives we should avoid in mass scale. Instead of “positive” stories, I want real stories, authentic, complex stories. Thus, even though it was refreshing to see a positive slant to LGBTI Africa coverage, I wouldn’t be enthused if LGBTI Africa was constantly depicted wearing a smiley face.

Now, with so much sensationalism and victimization of LGBTI African people in the media, it’s understandable that a fervent call to the media to share more stories of resistance and empowerment could be taken as saying “all is good.” But let’s be clear: all is not good. While the current narrative (i.e. “Being gay in Africa is bad”) reinforces stigma within communities and chips away at the already dwindling hope of young queer Africans living on the continent, the reverse could do just as much (if not more) harm.

For instance, the BET.com article highlighted a few of the organizations I’ve worked with who are leading change; Iranti.org, a media advocacy organization based in South Africa, and WHER, a community-building organization for queer Nigerian women, to name a few. Many of these organizations would not be able to operate in the absence of international support; LGBTI Africans are barely permitted to exist in certain countries, let alone organize.

What if funding for LGBTI organizations like SMUG of Uganda and TIER Nigeria were left at the mercy of their homophobic governments? How would activists such as Zanele Muholi, continue to receive support from individuals overseas for her work photographing south African black lesbians in the townships if the story of LGBTI Africa was presented as “all good”?

Last I checked, all is not good. But my point is that all is not bad, either; we need complexity, we need balance.

Check out an excerpt from the interview here: 

With the spread of technology and social media, today’s African LGBTI (Lesbian, Gay, Bisexual, Transgender and Intersex) communities have greater access to resources and their greatest asset to speak of: each other.

However, given the mainstream news coverage of Africa’s many LGBTI communities that exploits the narrative of a sad, shameful Africa, it’s hard to imagine that anything other than repression and brutal violence is happening. Nigerian LGBTI activist Spectra says that although Africa has its issues, gay rights activists on the continent are seeing success in their movement for equality.

“We’re constantly hearing about people being murdered, constantly hearing about women being raped,” Spectra told BET.com. “It’s the very, very reductive, very simplistic narrative, and what’s missing is everything else quite honestly.”

Final Thoughts: The more stories we have in the media, the more likelihood we’ll see the range of experiences needed to reflect what is wholly true about LGBTI Africans; that our experiences are neither good, nor bad, that we face challenges from our governments and from each other, that there is pain and suffering, healing and joy in being queer and African, in being human; no single “positive” or “negative” story is capable of conveying our humanity.

My story is one of many, just as the BET.com article is one of many that contributes to LGBTI Africa’s depiction in the big picture. There’s still more work to be done. Let’s get “write” to it. ;)

Relevant Links on My Blog:

Keeping the Faith: Religion, Sexuality, and My Best Friend’s Pool Party

A faithful friend is a strong defence: and he that hath found him, hath found a treasure. — Ecclesiasticus 6:14

My best friend from college; she’s the woman who taught me how to laugh, how to REALLY laugh… and then, when I came out, we stopped laughing together. We lost each other’s smiles for nearly four years as we both searched for self in different directions; I as an out queer activist, she as a deeply spitual Christian.

It was painful. But Love, wherever it touches, always wins.

My best friend found me again after reading a guest post written by my sister about being an ally; she left three heartfelt comments back to back; I’m sorry, I miss you, I still love you. I was so happy to have my friend back. It was as though no time had passed at all. We were back to laughing, so hard, at everything. And, like my siblings, our friendship proved that relationships are far more powerful than rhetoric when it comes to tolerance; Love always wins.

She recently threw a fundraiser for me in Texas for my #africansforafrica project. Four missed flights and connections, and a desperate additional one-way ticket to TX later just to make the party, it rained, and still we laughed. When the sun came out right when we had set up the DJ indoors, we laughed some more. And when we tallied the donations raised against the cost of planning the party, we laughed then, too.

Amidst all that laughter, I cherished you, and wouldn’t have asked for anything more; I was with my friend, laughing once more before setting off on my way, filled with Love.

So when I received notification of the donation she’d made, I lost all composure. $1000. For me, to go with to Africa where I hoped to heal women like me who’d lost their friends, lost their laughter, and needed to rediscover Love. “Chi Chi, why?” I cried. “‘Cause you’re my friend and I love you and I’m so proud of you.”

There was no laughter then, but for a good reason this time. That crazy woman in the pool. That smile of hers… let it assure you, your friends will come back to you, too. How I love her so.

Join our army of love.

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