Browse Tag: gay rights

Award-Winning African Artist Shishani Releases Video for New LGBT Equality Anthem, “Minority”

Shishani Namibia Lesbian Artist

“You’ve got rules telling me what to do
But is there anybody checkin’ up on you?”

Award-winning acoustic soul artist, Shishani, has just released the music video for her latest single titled, “Minority”, a catchy, upbeat, acoustic track that calls for freedom and equality for all people despite perceived differences.

Shishani got her big break when she performed at the 2011 Namibian Annual Music Awards in the capital city of Windhoek, where it’s still illegal to be gay. And though, she says, she’s made no real attempts to hide her sexuality, she hasn’t come out as an “out lesbian artist” till now.

“I wanted people to get to know my music,” she says, “Sexuality doesn’t matter. It’s like pasta — asking if you prefer spaghetti or macaroni. It just doesn’t matter… I’m an artist first, before being a gay artist.”

Born to a Namibian mother and a Belgian father, Shishani spent her early childhood in Windhoek, before her family relocated. Due to her mixed race ancestry, the curly-haired songstress is no stranger to discrimination, but is candid about enjoying a relatively liberal upbringing in the Netherlands, known for its liberal social policies, including legal protections of Lesbian, Gay, Bisexual, Transgender, and Intersex (LGBTI) people.

“Being raised abroad gives you a certain freedom… It took some time before my parents were okay talking about stuff, but eventually we did. I was even able to live with my partner of four years…  But living in Namibia, it became so clear to me how much more people are discriminated against–and for a variety of different reasons, like their ethnicity and sexuality.”

Homosexuality is illegal in a number of countries in Africa, and Namibia is no exception. Even though Namibia has been independent for over 20 years, and its constitution views all people equal under the rights of the law, punitive colonial laws against sodomy (though not enforced) have remained. Thus, LGBTI people risk harassment  and violence due to a strong culture of stigma in part reignited by religious leaders and government officials.

In 2001, past President Najoma’s called for “anyone caught practicing homosexuality to be arrested, jailed, and deported”. And, just over a year ago, Namibia’s first gay pageant winner, Mr. Gay Namibia, was beaten and robbed shortly after securing his title.

But Shishani, who upon her return in 2011, found a safe haven in Windhoek’s art performance communities, is optimistic that the current climate for gays will improve. She recently became an honorary member of the board of Out Right Namibia (ORN), a human rights advocacy organization that aims to address widespread homophobia in the country, and is eager to continue evolving as an artist, while using her platform as a musician to advocate for freedom and equality.

Shishani Singer SongwriterSince her breakout two years ago, Shishani has released indie tracks such as “Raining Words”, an acoustic ballad about a new relationship, “Clean Country”, a soulful, melodious call to action to raise awareness about climate change, and–inspired by Alicia Keys’ chart-topping tribute to New York–“Windhoek”, a song that celebrates the beauty of her hometown.

As a student of cultural anthropology and self-identified activist, it’s no surprise that her music has been described as a fusion of sounds from such socio-political music icons as Tracy Chapman, Bob Marley, and Nneka. “Minority” is the first single through which seeks to address the issue of same-sex love.

Alluding to the potential controversy of her new single, Shishani says, “Two years ago, I was really just trying to get my face out there…. When I returned to Namibia, I started booking my own gigs, performing solo, writing new songs. When I was invited to perform at the Namibian Music Awards, I was afraid to perform “Minority”  because people didn’t know who I was yet. But to make a statement, you have to be strong.”

As an African musician who identifies as being a part of the LGBTI community, the lyrics of “Minority” no doubt challenge the infamous meme “Homosexuality is unAfrican.” But, Shishan insists, her song is about much more than being gay.

“In Namibia, it also makes a difference what ethnicity you are. “Minority” argues for equal rights for all people regardless of their cultural backgrounds, economic status, sexuality, religion,” she says, “There is so much systemic discrimination against people, for so many reasons.”

The release of “Minority” is timely; January is the month in which outspoken Ugandan LGBT activist, David Kato was bludgeoned to death in an anti-gay attack three years ago, sparking an outcry from fellow African human rights activists. January is also the month in which people in the U.S.–perhaps even all over the world–celebrate Dr. Martin Luther King, Jr., a powerful civil rights leader and icon. His call for freedom and equality of all people has been taken up by activists all over the world, including Shishani, whose lyrics echo his principles of love and unity.

“Homophobia all over the world comes from the same place; colonialism, apartheid, racial segregation. All our struggles are connected.”

When asked about being a visible lesbian African artist, especially in light of the hardships experienced by LGBTI people in countries such as Uganda, Nigeria, South Africa, she says:

“My music is becoming more popular in Namibia. I’ve been working hard and trying to make my mark, so I feel stronger, now. I may lose some fans, but it’s okay. So many others have it way worse than me. So many others activists are risking much more. It is an honor to be viewed as a role model. So, if I can contribute to the movement through my music, I’m happy to, and I will.”

Check out the video of Shishani’s new single, “Minority” below. To learn more about Shishani, visit her website at http://www.shishani.nl.

 

My BET.com Interview about LGBT Africa and the Media: “Being Gay in Africa Is Neither Good Nor Bad”

Great news! I was recently interviewed by BET.com about my work as an LGBT activist. The piece highlighted my new media volunteer project, which has been training African women and LGBTI organizations to use new media to tell their own stories. #win

My favorite part of the interview has got to be the title, African Gay Rights Activist Rewrites the Story of a Struggle. 

Because I’ve chosen to lend my talents as a wordsmith to social justice and philanthropy, and am often very immersed in discussing (and being recognized for) the issues I’m writing about, even I sometimes forget what is that I’m actually doing i.e. writing to change the world, and encouraging others to do the same.

Above anything else, I’m a writer and a storyteller. So, even though the title of the interview felt a tad grandiose (and made me do a double take: “Whoa! Is that me??”), I really am honored that BET.com decided to recognize my efforts and profile me in such a generous way.

I must admit, however, that the opening line from the article gave me pause: “Believe it or not, it’s good to be gay in Africa.” 

I should probably point out that the aim of my work isn’t just to see more “positive” news about LGBTI African in mainstream media; I believe that “Being gay in Africa is bad” and “Being gay in Africa is good” are both overly simplistic, reductive narratives we should avoid in mass scale. Instead of “positive” stories, I want real stories, authentic, complex stories. Thus, even though it was refreshing to see a positive slant to LGBTI Africa coverage, I wouldn’t be enthused if LGBTI Africa was constantly depicted wearing a smiley face.

Now, with so much sensationalism and victimization of LGBTI African people in the media, it’s understandable that a fervent call to the media to share more stories of resistance and empowerment could be taken as saying “all is good.” But let’s be clear: all is not good. While the current narrative (i.e. “Being gay in Africa is bad”) reinforces stigma within communities and chips away at the already dwindling hope of young queer Africans living on the continent, the reverse could do just as much (if not more) harm.

For instance, the BET.com article highlighted a few of the organizations I’ve worked with who are leading change; Iranti.org, a media advocacy organization based in South Africa, and WHER, a community-building organization for queer Nigerian women, to name a few. Many of these organizations would not be able to operate in the absence of international support; LGBTI Africans are barely permitted to exist in certain countries, let alone organize.

What if funding for LGBTI organizations like SMUG of Uganda and TIER Nigeria were left at the mercy of their homophobic governments? How would activists such as Zanele Muholi, continue to receive support from individuals overseas for her work photographing south African black lesbians in the townships if the story of LGBTI Africa was presented as “all good”?

Last I checked, all is not good. But my point is that all is not bad, either; we need complexity, we need balance.

Check out an excerpt from the interview here: 

With the spread of technology and social media, today’s African LGBTI (Lesbian, Gay, Bisexual, Transgender and Intersex) communities have greater access to resources and their greatest asset to speak of: each other.

However, given the mainstream news coverage of Africa’s many LGBTI communities that exploits the narrative of a sad, shameful Africa, it’s hard to imagine that anything other than repression and brutal violence is happening. Nigerian LGBTI activist Spectra says that although Africa has its issues, gay rights activists on the continent are seeing success in their movement for equality.

“We’re constantly hearing about people being murdered, constantly hearing about women being raped,” Spectra told BET.com. “It’s the very, very reductive, very simplistic narrative, and what’s missing is everything else quite honestly.”

Final Thoughts: The more stories we have in the media, the more likelihood we’ll see the range of experiences needed to reflect what is wholly true about LGBTI Africans; that our experiences are neither good, nor bad, that we face challenges from our governments and from each other, that there is pain and suffering, healing and joy in being queer and African, in being human; no single “positive” or “negative” story is capable of conveying our humanity.

My story is one of many, just as the BET.com article is one of many that contributes to LGBTI Africa’s depiction in the big picture. There’s still more work to be done. Let’s get “write” to it. ;)

Relevant Links on My Blog:

Glad about GLAD’s Inclusive Outreach for Annual Winter Dance Party

I wasn’t even supposed to blog today — it’s so nice outside, and I don’t know how long this sun will last so I gotta make this quick. I cannot contain my excitement, intense feelings of hope, and pride in my community as GLAD’s Annual Winter Dance party gets a makeover this year.

Friends across multiple social and professional networks are seriously buzzing about this party — hey, I’m here blogging about it! I’ve been promoting the Winter Dance all week, and have found that many of my friends were already making group plans to attend. Moreover, my new connections (including QWOC+ Boston newbies), have been reaching out to me about it, too — via Facebook, Twitter, email etc — so clearly both offline and online word of-mouth marketing is working full throttle to ensure a fun, energetic, and diverse attendee list at the event on Sunday.

For those of you who don’t know, Gay Lesbian Advocates and Defenders (GLAD) is a non-profit public interest law firm that fights for LGBTQ equality under law throughout New England. Basically, they file BIG legal suits against bodies (including the Supreme Court? Daaang) that discriminate against LGBTQ people, but more importantly, they win :).

Their legal efforts have truly (and practically, down to the dollar) improved the lives of the LGBTQ community; groups and individuals who faced discrimination now have justice for it, and the rest of us can rest assured of increased legal protection due to their remarkable wins. GLAD has performed unimaginable, modern-day miracles. Take for example, their recent win against the US Tax Court, who blocked a transwoman from deducting the significant medical expenses she incurred from her sex reassignment surgery. OR, their ground-breaking Aids Law Project win against the Supreme Court in 1998, which holds that people with HIV are protected from discrimination — right to healthcare, for one — under the Americans with Disabilities Act.

GLAD has been fighting for me for years. So, how is it that an LGBTQ community organizer like myself had no idea who they were up until just over a year ago? And how is it that I only knew ‘of’ them because a friend of mine happens to be their Special Events Manager (ah Robbie, dare I say you’re behind this new makeover? ;)); I knew nothing about their work or accomplishments in the legal realm until relatively recently.

As part of QWOC+ Boston’s diversity-via-partnership-building strategy, I had gotten to know almost every single social justice organization that was doing work in the LGBTQ community — and not just by name. I was well familiar with their service-based programs and their event programming; I’d discussed future/potential collaborations with their development staff and other organizers; I’d met many of their board members at fundraisers, informal social gatherings, and networking events. Yet, GLAD stayed under my radar.

Here are a few reasons I think they didn’t appeal to me:

  • Nothing about the way GLAD presented themselves — their special events, their press releases, their dry online presence — seemed intended for younger people. The subtext was too heavily focused on a gay movement many of us were still learning about and hadn’t fully plugged into. How could I care about national legal issues when my mental health was in jeopardy from having no sense of social community in my own city?
  • GLAD’s special events were waaay too expensive for recently-out-of-college me, and seemed like they had been planned mainly for an affluent, philanthropic white gay male donor list e.g. they hosted live auctions with items going for thousands of dollars, like long oversea vacations for people with more flexible work schedules (and 9 friends in the same tax bracket)
  • Because of this, even when I could attend via complimentary tickets to QWOC+ Boston, I often felt like one of the youngest attendees. And, needless to say, I was usually one of a handful of people of color in the room
  • Again, the legal, political, lobbying, bill fighting stuff just didn’t resonate with me and the people I knew. I represented a group of young professional people of color and allies, who were still trying to create a multi-identity accepting and inclusive community in Boston. A national white male gay rights movement seemed even further away from my reality back then (just a few years ago), when I was still growing QWOC+ Boston. I didn’t think my support (or lack of it) in any form would have an impact at all on the work that GLAD was doing.

That was me, then. Flash forward four years later, where I’m now a loyal follower of GLAD in part because I’m a little older, financial stable in my career, and more plugged in politically. Since equality for all is extremely important to me — I fight for it daily, in my own way — I want to get involved with organizations like GLAD, and I’m sure others do too! So, as I mentioned at the beginning of this post, I’m very encouraged by their recent efforts to appeal to a more diverse group of potential donors.

I’ve made a few observations about the GLAD Winter T-Dance’s event marketing that I’d like to point out:

  • A Tea Dance is a gender-neutral event format — it appeals to both male and female identified attendees, unlike a dragqueen show (gay boys), or wet t-shirt contest (Cali Dykes). Okay, just kidding, but you get the point. That’s a diversity tip we should all store somewhere. Love it.
  • A lower price point (cheaper than a $75 mini-fundraiser faster, but boasts more sentimental ‘value’ than a $10 admission fee to a nightclub) will undoubtedly induce a huge wave of excitement; people love to support causes that are within their financial means (see post on Valentine’s Day). And now, there’ll be no need to remind them to tip the bartenders! Love it.
  • Music, music, music! DJ Mocha spinning “Dance” hits! Yes! Who doesn’t wanna party on a Sunday? You’re even allowed to Suggest Songs for the Playlist via a Facebook Widget. That’s great for the DJ AND the eager dancing crowd that may wanna “shake it up” per the Bay Windows advertisement. What’s more, is that they’re providing a Jazz Lounge for the people who just wanna schmooze (and preferably not over a loudspeaker). Love it!
  • In addition to the big-money raffle prizes, GLAD has (as always) the “Choose Your Own Raffle” section, featuring gifts like Red Sox vs. Yankee tickets, Spa Massages, Dinner and a Movie for Two Packages etc. Over 20 of these, apparently. So I’m delighted that the prizes they choose to highlight on their website could be for anybody. Love it!
  • In addition to using all the popular social media channels (e.g. Facebook and Twitter), GLAD offered an even bigger discount to community member by providing special codes to small groups. I was delighted to receive an email that said I was being offered two complimentary tickets to attend, but that I could also share a discount code with QWOC+ Boston members as well. Social networking, viral marketing, and community engagement all in one?? I LOVE this!

These “special features” may have everything to do with GLAD’s long overdue success with at least exciting a younger, gender-neutral, multicutural crowd about their upcoming winter event, or nothing at all. I’ll know for sure on Sunday. But regardless of what the turnout is like, I am encouraged by their efforts, and am looking forward to having a good time with my friends and fellow POC community organizers on Sunday. I love fresh starts.

Go GLAD! :)

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