Browse Tag: poetry

Call for Submissions (Poetry, Prose, Photography): Walking the Tight Rope: An African LGBTI Anthology

Cross posted from QWOC Media Wire .

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QWOC Media Wire was founded on the belief that there is incredible power in telling our own stories, and highlighting reasons to celebrate as much as our vision for what we hope to change.

In the wake of anti-LGBT laws and the barrage of negative media attention currently being directed towards Africa, we are so excited to present the following call for submissions:

Walking the Tight Rope: An African LGBTI Anthology (of which our very own founder, Spectra, is an editor) seeks poets, writers and photographers within Africa and the Diaspora to share their stories.

Walking the Tight Rope: An African LGBTI Anthology

Call for Submissions in Prose and Photography

Thanks to the high interest in the new African LGBTI Anthology and the engaging poems we received in our original call for submissions in poetry, we’ve decided to expand the focus of the anthology to include prose – more specifically short fiction and short (creative) lyric essays – and some photography.

As before, we encourage writers who identify as gay, lesbian, queer, bisexual, or transgender, living in Africa and first or second generation Africans living in the Diaspora (i.e. if you are African or one of your parents is African) to send their best work for consideration. Works will be chosen solely on merit.

Guidelines:

We prefer works that are unpublished. All prose should be no more than 600 words (exceptions can be made in rare circumstances) and in English or English translations. All submissions in photography should be in either JPG or TIFF format.

We encourage writers to submit photography and prose addressing the following themes:

1) Relationships
2) Body
3) Self
4) (Re)Definition. Works addressing other themes will also be considered.

Since we have a good representation of Nigerian and South African writers, we especially encourage writers from other parts of Africa to submit their work. Also, we urge the use of pseudonyms where writers feel threatened.

Submissions should be sent through Submittable under African LGBTI Anthology.

Questions can be sent to Abayomi Animashaun via email at abayo.animashaun@gmail.com. Please include “African LGBTI Anthology” in the subject line. Our deadline is April 15.

For more information, please visit the anthology’s website: http://lgbtafricapoetryanthology.wordpress.com/

[VIDEO] Teaser Trailer for “Confessions of a Queer African Boi” Poetry and Erotica Chapbook

I’ve been working on a collection of erotica, poetry, and other free-form expressions for a year now and recently printed them into booklet form for editing.

Flipping through the pages for the first time felt like the cold sensation of fingers slowly running down a soft layer of brown skin. These were words I hadn’t yet shared with fans of my writing; they held within them a different side of me many have not been privy to see. And so, with this new chapbook (hopefully being released by December or January of next year), I’ll be taking a very big leap…

I’m known publicly for my personal essays that offer a unique political perspective — one heavily inspired by my mantra, “Love is My Revolution”. But I have actually always been a fiction writer.

My parents will tell you that I’ve been writing and directing plays since I was 7 years old, using my disgruntled younger siblings as props, my mother’s plush pillows as elaborate sets, and my father’s Miles Davis tapes as background music. I wrote my first poem, “Ruler of the Sea”, after watching Steven Spielberg’s jaws. I wrote my first novel when I was thirteen, based on the “Mean Girls” of my secondary school (and the boys they constantly fought over).

At MIT, I added writing as a major in my junior year — studied under Pulitzer Prize winner, Junot Diaz for two semesters — and wrote over a dozen short stories about love, relationships, women, and self-image. I even went on to win two awards; one, for a story I wrote about my struggle with eating disorders, and another that used magic surrealism to explore the spiritual connection between the mothers and daughters in my family.

When I first began dating women, I stopped writing, perhaps because my words have always been my anchor to the world, and I wasn’t yet ready to validate my sexuality (and some traumatic experiences), as part of my reality. When I was finally able to write creatively, I remembered that my words haven’t always just been grounding, but healing, and so I’m excited to share this part of my “recovery” with all of you.

Incidentally, the other night, as I was editing my chapbook, I decided to take a self-care break and do something fun for encouragement: make a video teaser trailer for my chapbook. So here is the result of my late night photo shoot with queer African boi erotica and poetry. I hope you enjoy.

Well, what do you think? Would you read it? Buy it? Please leave your comments/feedback below. But remember, be gentle. To borrow from Erykah Badu, “I’m an artist and I’m sensitive about my sh*t.”

A Love Poem to Say Goodbye: Things I Didn’t Know I Loved

A Parting Love Poem from My Beautiful Partner

She read the poem below at my goodbye party last weekend, and wanted me to share it with all of you. I am so blessed to have found someone whose Love is big enough, strong enough, brave enough, to Love me even from the farthest parts of the world, and to push me to share it with others, always. I wish for the same for all of you.

As she has dedicated this to me, I dedicate this to everyone who loves an activist, who gives them sustenance when they are running on empty, the push they need to keep going, even when they think they can’t, and of course, so much unconditional love. The world is so much better because of you. Thank You.

Things I Didn’t Know I Loved

Banana peels left on book shelves
An open jar of jam
Repeated bursts of flash
as she waits for the shot that will
show me exactly what she sees
when she looks at me.

I didn’t know I loved singing.
Especially at the top of my lungs.
Most especially under a bridge.

I didn’t know I could memorize
every variation of a smile
And daydream of ways
to coax each one to light

I knew I would love her storytelling
….and our dancing
all that was unspoken
yet understood
in our movement

But, looking back at the tentative safety
of bluelight raindrops,
I could never have known
our water-deficient souls
would feel so safe
in this ocean,
this deluge of emotions
and dreams overflowing

I will miss you
Miss “I love you’s” whispered nightly in reverence
– a rosary of promises
placed in the dip of your collarbone
for safekeeping.

I will miss your hands,
your bigger than life laugh,
stolen glances across a crowded room

Corazon, I will miss your spirit
your open, loving, too-big-for-one-city spirit
filling our home.

Amor, I stand here and celebrate you.
I celebrate your courage,
the way you’ve learned to follow your heart
wherever it may lead

Know that I am always with you,
that the rays of your sun
will warm you in the farthest corners of the globe

Mi Reina…

Always know that I love you.

 

a poem by Idalia (Facebook, Tumblr, Twitter)

Copyright Spectra Speaks 2012. All Rights Reserved.
Neither the whole or part of this work should be duplicated and/or republished without permission.

A Letter To My Plagiarist

As National Poetry Month draws to a close, I thought it only appropriate to post this response to the plagiarist who thought they could get away with stealing my words.

I admit that I wrestled with responding at all; the pain of knowing that a fellow African LGBT activist, who I knew personally, had done this to me was a lot to bear. In the wake of David Kato’s murder, a prominent LGBT Ugandan activist that was murdered in January, the last thing that I needed — that the Queer African movement needed — was internal conflict. Aside from the infuriating suggestions from people (including other writers– wow) that I “let it slide for the greater good”, I just couldn’t shake the feeling, that my words — the only things I have in this world — had been taken from me. I felt violated.

At one point, I had to say it out loud to believe it, “I’ve just been plagiarized, blatantly, by someone who knows me.” Seriously, verbatim. This woman (who was a journalist so couldn’t claim to not know better) had lifted a whole three paragraphs from the blog post I’d written about David Kato and read it as part of a speech in public forum (at a vigil held in NYC in his honor – starts at 2:00 min), no citation, no credit, no mention that her speech even contained excerpts from an ‘unnamed’ source. I found out in the worst way possible, on effin Twitter. I happened to click on a link to video coverage of the event she spoke at in NYC and there she was, speaking my words verbatim, being so inspiring it took me a few takes to realize why her words resonated so much… they were mine. Wow.

Of course I confronted her about it. I sent her a very nice but stern email that said I know what she’d done and I was giving her a window to take responsibility, apologize, and do something about it i.e. email the media outlets that quoted her with my words in my mouth and ask them to make corrections AND post in a public place (her blog for instance) that she’d taken my words without permission and was going to give appropriate credit to make it right.

At first she apologized and agreed to make things right, but then she did a switcharoo, all of a sudden getting annoyed that I was making all these “demands” of her and decided she was going to investigate on her own if she’d actually done anything wrong. Despite her new-found confidence in barreling through the issue without taking responsibility, I gave her several more chances after that. But all she ended up doing, to add insult to injury, was put up this deliberately condescending message about how trials as an activist on the day she had to give that speech, and oh by the way here’s this person Spectra who writes about Africa even though she doesn’t live there, and here is a link to her blog. I’m linking her here to “lift her up with visibility.” I was LIVID. But also incredibly hurt.

The experience, I admit, shook me. I only just realized recently that I hadn’t been writing and sharing as much content online. The fear of violation like that again, even the fear of being accused of not thinking about the “bigger picture” (i.e. going after a ‘fellow’ whatever) held me back; it become a subconscious trigger anytime I was about to post something online. I’m a writer first before anything else. I don’t want my words stolen. And certainly not from people who claimed to love, admire, care about me. But I’m done with the silence. It’s stifling. I’ll have no more of it.

Aren’t I the person that always tells it like it is, regardless of which ‘community’ I’m supposed to be aligned it? Aren’t I miss warrior woman, outspoken, no-bullshit, no-nonsense, no tolerance for injustice? If I don’t stand up to a bloody cyber plagiarist, then I fail all those people I’m constantly encouraging to speak up — writers, artists who believe their work is important enough to protect, to value, activists who feel trapped by petty politics, anyone who’s ever felt betrayed or violated by people that are supposed to be supporting them.

We must speak out against bad behavior, even within our movements. In doing so, we will find strength and healing we didn’t know was there, like I have. It is too important that we hold our communities — and each other — accountable, lest we begin to silence among ourselves.

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Dear Plagiarist,

I must admit, you swept me off my feet.
Charmed me with flattery,
used words like “passionate”, “prolific”,
game changer, you seduced me,
sanctioned the urgency in my voice
just when I’d’ begun to shrink under the weight of accusations,
“aggressions unwarranted,” they said
even though our people were dying;
this “angry black woman” was on the brink of depression when you showed up,
offering verbal bouquets in my mother tongue.
You spoke friend, and I listened,
awakened my senses so that I could smell the bullshit from these white people
who only loved me when I was tame,
only loved me when I was game for banter,
could only stomach me placed neatly between the black and white lines of their own agenda
— I spit at their podiums.

But you…
I felt like I knew you.
Your accent, thick with struggle through colonial diction,
that awkward ensemble of western clothing gave you away
an immigrant attempting to recreate themselves in a foreign country,
I stood under you when you needed uplifting,
welcomed you into my house, unsuspecting
I fed you. Nurtured you when I myself was starving,
simply because I was thankful for the company,
for the ability to lock eyes in a sea of white guys who misused the truth for their own gains;
“We are Africans, the longest surviving population on the planet,”
I proclaimed, “… and we don’t need saving.”
We need solidarity.

In the aftermath, I wrote:
“David Kato, in the face of violence, we must never abandon hope for fear.”
…in the face of violence, we must never abandon hope for fear,
and you cheered for me in private,
clapped your ashy hands at the gall of this Naija woman
to inspire healing through pain as ego clouded your vigil;
you pounded your fist on the table as I vowed to share the truth,
that these westerners preached too god damn much to listen,
gave our fathers reason to say, “Homophobia is a white man’s problem.”

So I didn’t mind when your sound bites
had bitten off too many of mine
We were sisters, and what was mine was yours,
but when I heard the media applaud your thievery I saw it plainly:
my sister had maimed me,
ripped words like cheap clothes from my naked body,
and waved them in the air for glory.
You betrayed me.
I didn’t see it coming.

But see, the thing about being a warrior woman
is that I’ve been bitten one time too many
by snakes disguised as allies standing right next to me;
You must bleed to beat the poison,
You must bleed to win.

Val Kalende — What, thought I wouldn’t put you on blast?

At your best you were a thief,
impostor playing journalist stealing other people’s stories,
media sob story turned professional token — you have lost your footing
and now, your head bows low enough to be petted by the same jokers I wipe the floor with,
the same cowards who cower under the bass of my voice when they piss me the fuck off.

…and trust me when I say, that I am pissed the fuck off.

If you thought I would go sulk in a corner
a good girl ashamed to report her abuser
for fear of being accused of seeking media attention
damaging your “stellar” reputation out of envy,
then you must not know me.

I am a warrior woman,
a freedom fighter, truth seeker,
liberator of all who’ve been double-crossed by oppression,
I will make an example of you.
Run and hide behind the podiums these white people have given you,
a house kennel for the stray dog that you are
— no rhetoric will shield you, no eulogy will save you —
You will NOT escape my wrath.


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